Cinema camera in action.

AMIRA

Go anywhere, shoot anything

AMIRA - the perfect tool for your job - is a truly versatile camera that combines exceptional image quality and affordable CFast 2.0 workflows with an ergonomic design optimized for single-operator use and extended shoulder-mounted operation. Ready to pick up and shoot straight out of the camera bag, AMIRA is hardy enough to take anywhere and features in-camera grading with preloaded 3D LUTs, as well as 200 fps slow motion. The AMIRA ARRIRAW License Key enables in-camera 16:9 2.8K (2880 x 1620) MXF/ARRIRAW recording at frame rates of up to 48fps. 

It is suitable for a great variety of production types, from TV drama and low-budget movies to nature films, sports coverage, commercials, reportage, branded content and multi-camera live TV. Wherever you are headed and whatever you need to shoot, let AMIRA be your companion.

Lateral view of the low-budget movie camera amira.

Credits

Film covers of projects in collaboration with the all-purpose camera amira.

Anthropocene: The Human Epoch

Film cover of project in collaboration with the all-purpose camera amira.

Vision
Film produced with the amira multicam.

Monsters
Film produced with the amira multicam.

Sakawa
Film produced with the amira multicam.

System Crasher
Film produced with the amira multicam.

Five Feet Apart
Film covers produced with the all-purpose camera amira.

Grand Hotel
Film covers produced with the all-purpose camera amira.

Splitting Up Together
Film covers produced with the all-purpose camera amira.

Yellowstone
Film covers produced with the all-purpose camera amira.

Ballers

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Features

Exceptional image quality

  • ALEXA image quality up to 200fps 
  • Recording option up to 4K UHD
  • Dynamic range of 14+ stops and low noise
  • Natural skin tones and breathtaking color rendition
  • Optional ARRIRAW License
Sensor of the low price arri camera amira.

Single user ergonomics

  • Quick start-up – ready to shoot
  • Optimized for the single operator
  • Sliding dovetails – perfect shoulder balance
  • Internal FSND filters (0.6/1.2/2.1)
  • OLED eyepiece and fold-away LCD monitor
  • Multi-channel audio – easy-access controls
amira multicam in action. Shoulder operation using the all-purpose camera amira.

Cost efficient in-camera grading

  • Preloaded/custom-built 3D LUTs and looks
  • Adjustable looks – total color control on set
  • ARRI Look Library support - a repertoire of 87 predefined creative color gradings, each in three intensities
  • High creativity, low postproduction costs
Look libary 4in1 of different ARRI Cameras.

Huge variety of lens options

  • Rapidly interchangeable lens mounts
  • PL or LPL-Mount for cine-style lenses, including those compatible with the ARRI Lens Data System, which allows lens metadata to be recorded via the ARRI Electronic Control System
  • B4 lens mount permits the use of 2/3” video-style B4 lenses, while the PL to B4 adapter allows instant interchangeability between the two
  • EF lens mount provides compatibility with widespread and affordable stills photography lenses
Huge variety of lens options which can be used with the all-purpose camera amira.
All-purpose camera amira multicam in action.
Copyright © PhotoCineRent
Footage from the all-purpose camera amira.
Copyright © VPS Media
All-purpose camera amira in action.
Copyright © Ruptly.TV

ARRI Multicam System

ARRI Multicam is a simple-to-integrate fiber transmission system for multi-camera live broadcasts. The combination of ARRI cameras and the 1800 fiber system, controlled via an industry-standard RCP (Remote Control Panel), delivers a cinematic look with the efficiency of a live transmission system. Productions can record in-camera for post, finishing, or slow-motion, while simultaneously transmitting live HD or UHD signals to a broadcast facility, stage display, or social media channel using standard production environments like OB vans or studios. 

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Quotes

Even a couple feet from 1000 degree flames, our AMIRA and ARRI Alura zoom kept rolling - a testament to the quality we`ve come to expect from ARRI day in and day out.

Cinematographer Steven Holleran ( Known for: Age of AI and many more)

Low price arri camera amira demonstrates versatility.

We love using the AMIRA Multicam, because of the outstanding images the AMIRAs capture - and the high-standard build of the camera. Technically, the DTS fiber system brings you all the features you expect, and so we can create a really good workflow.

Thomas Bischofer, Ruptly’s Head of Production, creating coverage for FIFA
 

amira multicam in action.

I was shooting on the Amira which, generally speaking, for filming wildlife is my no. 1 choice. The accessibility of user buttons on the operator's side of the camera and the ability to switch frame rates so easily is essential when wildlife moments come and go in flash . I therefore need to be as quick as possible. Out of all the cameras I've used over the years, for me nothing comes close to the Amira on this front.

Tom Rowland, shooting WINTER FLOCKS for the Royal Society for the Protection of Birds, UK

All-purpose camera amira performs on a film set.

I really love the versatility of the Amira. It creates beautiful images while being robust and well balanced. I've been playing around with the S16 mode with older Super16 glass which allows to me to get that depth of field and the look of Super 16 film. And then there’s the beautiful colors and the natural grain textures of the ALEV 3 sensor.

Cinematographer Tom Revington, (Known for: shooting commercial for Levi's "United By The Beat" featuring Rouge,  Smirnoff "Desirability" , UNICEF "Christmas Gifts" and many more

Amira shooting a commercial.
Copyright © Hanro Havenga

Having used the ALEXA and ALEXA Plus numerous times before, I was confident in what an ARRI product could do, and curious about the new AMIRA. After a brief testing period it quickly became clear that the AMIRA was going to be ideal for the shoot. I loved the camera and the footage we got from it was unreal; most importantly, myself and the director got exactly what we wanted. 

Cinematographer Si Bell, shooting a feature film called TIGER RAID (Known for: Peaky Blinders, Electricity, Tiger Raid and many more)
 

All-purpose camera amira operates on set .

We knew from the beginning that we would use many different cameras, but we wanted the lead camera to be the AMIRA because we love its natural and cinematic look. When it comes to images of people, especially faces, I haven’t seen anything that compares to that kind of quality.

Richard Ladkani, Director and Cinematographer, shooting THE IVORY GAME, the Netflix documentary feature film. (Known for: The Ivory Game, The Devil's Miner, Sea of Shadows and many more)

All-purpose camera Amira operates on set .

Set components

Illustration of the Hi-5 set KK.0041791 Hi-5 Hand Unit Basic Set.
Hi-5 Hand Unit Basic Set
K2.0000071
Single Axis Unit SXU-1
K2.0019580

Individual mechanical accessories

Compact Bridge Plate CBP-3 19mm for AMIRA

  1. Camera Systems
  2. PCA: Mechanical Accessories
  3. Camera Support Systems
  4. Support Systems for ARRI Cameras
  5. Support Systems for AMIRA
  6. Individual mechanical accessories
  7. Compact Bridge Plate CBP-3 19mm for AMIRA

Recommended

Cine Pro Set for AMIRA

  1. Camera Systems
  2. Recommended
  3. Cine Pro Set for AMIRA

Recommended

Cine Basic Set for AMIRA

  1. Camera Systems
  2. Recommended
  3. Cine Basic Set for AMIRA
K2.0019580
Compact Bridge Plate CBP-3 19mm for AMIRA
Representation of the Compact Bridge Plate CBP-4 15mm for AMIRA.

Individual mechanical accessories

Compact Bridge Plate CBP-4 15mm for AMIRA

  1. Camera Systems
  2. PCA: Mechanical Accessories
  3. Camera Support Systems
  4. Support Systems for ARRI Cameras
  5. Support Systems for AMIRA
  6. Individual mechanical accessories
  7. Compact Bridge Plate CBP-4 15mm for AMIRA
Representation of the broadcast camera for live production AMIRA Live.

AMIRA Live

  1. Camera Systems
  2. Live Cameras
  3. AMIRA Live
Representation of the Compact Bridge Plate CBP-4 15mm for AMIRA.
Compact Bridge Plate CBP-4 15mm for AMIRA
Representation of the Side Accessory Bracket SAB-2.

Individual mechanical accessories

Side Accessory Bracket SAB-2

  1. Camera Systems
  2. PCA: Mechanical Accessories
  3. Camera Support Systems
  4. Support Systems for ARRI Cameras
  5. Support Systems for AMIRA
  6. Individual mechanical accessories
  7. Side Accessory Bracket SAB-2

Recommended

Cine Pro Set for AMIRA

  1. Camera Systems
  2. Recommended
  3. Cine Pro Set for AMIRA

Recommended

Cine Basic Set for AMIRA

  1. Camera Systems
  2. Recommended
  3. Cine Basic Set for AMIRA
Representation of the broadcast camera for live production AMIRA Live.

AMIRA Live

  1. Camera Systems
  2. Live Cameras
  3. AMIRA Live
Representation of the Side Accessory Bracket SAB-2.
Side Accessory Bracket SAB-2
KK.0016114

CSS dovetails

Stabilizer Adapter Mount SAM-3 Set for AMIRA

  1. Camera Systems
  2. Camera Stabilizer Systems
  3. TRINITY 2 and ARTEMIS 2
  4. ARTEMIS 2
  5. CSS dovetails
  6. Stabilizer Adapter Mount SAM-3 Set for AMIRA
KK.0016114

TRINITY 2 dovetails

Stabilizer Adapter Mount SAM-3 Set for AMIRA

  1. Camera Systems
  2. Camera Stabilizer Systems
  3. TRINITY 2 and ARTEMIS 2
  4. TRINITY 2
  6. Stabilizer Adapter Mount SAM-3 Set for AMIRA
KK.0016114

CSS dovetails

Stabilizer Adapter Mount SAM-3 Set for AMIRA

  1. Camera Systems
  2. Camera Stabilizer Systems
  3. 360 EVO
  5. Stabilizer Adapter Mount SAM-3 Set for AMIRA
KK.0016114

CSS dovetails

Stabilizer Adapter Mount SAM-3 Set for AMIRA

  1. Camera Systems
  2. Camera Stabilizer Systems
  3. Legacy
  4. Stabilized Remote Heads
  6. Stabilizer Adapter Mount SAM-3 Set for AMIRA
KK.0016114

CSS dovetails

Stabilizer Adapter Mount SAM-3 Set for AMIRA

  1. Camera Systems
  2. Camera Stabilizer Systems
  3. TRINITY 2 and ARTEMIS 2
  4. TRINITY 2
  5. CSS dovetails
  6. Stabilizer Adapter Mount SAM-3 Set for AMIRA
KK.0016114

Individual mechanical accessories

Stabilizer Adapter Mount SAM-3 Set for AMIRA

  1. Camera Systems
  2. PCA: Mechanical Accessories
  3. Camera Support Systems
  4. Support Systems for ARRI Cameras
  5. Support Systems for AMIRA
  6. Individual mechanical accessories
  7. Stabilizer Adapter Mount SAM-3 Set for AMIRA
KK.0016114

Recommended Products

Stabilizer Adapter Mount SAM-3 Set for AMIRA

  1. Camera Systems
  2. Camera Stabilizer Systems
  3. Legacy
  4. Stabilized Remote Heads
  5. Dovetail Plates and Brackets
  6. Recommended Products
  7. Stabilizer Adapter Mount SAM-3 Set for AMIRA
KK.0016114

ARTEMIS 2 dovetails

Stabilizer Adapter Mount SAM-3 Set for AMIRA

  1. Camera Systems
  2. Camera Stabilizer Systems
  3. TRINITY 2 and ARTEMIS 2
  4. ARTEMIS 2
  6. Stabilizer Adapter Mount SAM-3 Set for AMIRA
KK.0016114

CSS dovetails

Stabilizer Adapter Mount SAM-3 Set for AMIRA

  1. Camera Systems
  2. Camera Stabilizer Systems
  3. TRINITY 2 and ARTEMIS 2
  4. ARTEMIS 2
  5. CSS dovetails
  6. Stabilizer Adapter Mount SAM-3 Set for AMIRA
KK.0016114

CSS dovetails

Stabilizer Adapter Mount SAM-3 Set for AMIRA

  1. Camera Systems
  2. Camera Stabilizer Systems
  3. Legacy
  4. MAXIMA
  5. CSS dovetails
  7. Stabilizer Adapter Mount SAM-3 Set for AMIRA
KK.0016114
Stabilizer Adapter Mount SAM-3 Set for AMIRA
KK.0016114

CSS dovetails

Stabilizer Adapter Mount SAM-3 Set for AMIRA

  1. Camera Systems
  2. Camera Stabilizer Systems
  3. TRINITY 2 and ARTEMIS 2
  4. ARTEMIS 2
  5. CSS dovetails
  6. Stabilizer Adapter Mount SAM-3 Set for AMIRA
KK.0016114

TRINITY 2 dovetails

Stabilizer Adapter Mount SAM-3 Set for AMIRA

  1. Camera Systems
  2. Camera Stabilizer Systems
  3. TRINITY 2 and ARTEMIS 2
  4. TRINITY 2
  6. Stabilizer Adapter Mount SAM-3 Set for AMIRA
KK.0016114

CSS dovetails

Stabilizer Adapter Mount SAM-3 Set for AMIRA

  1. Camera Systems
  2. Camera Stabilizer Systems
  3. 360 EVO
  5. Stabilizer Adapter Mount SAM-3 Set for AMIRA
KK.0016114

CSS dovetails

Stabilizer Adapter Mount SAM-3 Set for AMIRA

  1. Camera Systems
  2. Camera Stabilizer Systems
  3. Legacy
  4. Stabilized Remote Heads
  6. Stabilizer Adapter Mount SAM-3 Set for AMIRA
KK.0016114

CSS dovetails

Stabilizer Adapter Mount SAM-3 Set for AMIRA

  1. Camera Systems
  2. Camera Stabilizer Systems
  3. TRINITY 2 and ARTEMIS 2
  4. TRINITY 2
  5. CSS dovetails
  6. Stabilizer Adapter Mount SAM-3 Set for AMIRA
KK.0016114

Individual mechanical accessories

Stabilizer Adapter Mount SAM-3 Set for AMIRA

  1. Camera Systems
  2. PCA: Mechanical Accessories
  3. Camera Support Systems
  4. Support Systems for ARRI Cameras
  5. Support Systems for AMIRA
  6. Individual mechanical accessories
  7. Stabilizer Adapter Mount SAM-3 Set for AMIRA
KK.0016114

Recommended Products

Stabilizer Adapter Mount SAM-3 Set for AMIRA

  1. Camera Systems
  2. Camera Stabilizer Systems
  3. Legacy
  4. Stabilized Remote Heads
  5. Dovetail Plates and Brackets
  6. Recommended Products
  7. Stabilizer Adapter Mount SAM-3 Set for AMIRA
KK.0016114

ARTEMIS 2 dovetails

Stabilizer Adapter Mount SAM-3 Set for AMIRA

  1. Camera Systems
  2. Camera Stabilizer Systems
  3. TRINITY 2 and ARTEMIS 2
  4. ARTEMIS 2
  6. Stabilizer Adapter Mount SAM-3 Set for AMIRA
KK.0016114

CSS dovetails

Stabilizer Adapter Mount SAM-3 Set for AMIRA

  1. Camera Systems
  2. Camera Stabilizer Systems
  3. TRINITY 2 and ARTEMIS 2
  4. ARTEMIS 2
  5. CSS dovetails
  6. Stabilizer Adapter Mount SAM-3 Set for AMIRA
KK.0016114

CSS dovetails

Stabilizer Adapter Mount SAM-3 Set for AMIRA

  1. Camera Systems
  2. Camera Stabilizer Systems
  3. Legacy
  4. MAXIMA
  5. CSS dovetails
  7. Stabilizer Adapter Mount SAM-3 Set for AMIRA
KK.0016114
Stabilizer Adapter Mount SAM-3 Set for AMIRA
Representation of the Wedge Plate Adapter WPA-1.

Individual mechanical accessories

Wedge Plate Adapter WPA-1

  1. Camera Systems
  2. PCA: Mechanical Accessories
  3. Camera Support Systems
  4. Support Systems for ARRI Cameras
  5. Support Systems for AMIRA
  6. Individual mechanical accessories
  7. Wedge Plate Adapter WPA-1
AMIRA_Live-AMIRA_M20_Headerimage_Full_Rez

Accessories bundles

Accessories Bundle 2

  1. Camera Systems
  2. PCA: Mechanical Accessories
  3. Camera Support Systems
  4. Support Systems for ARRI Cameras
  5. Support Systems for AMIRA
  6. Accessories bundles
  7. Accessories Bundle 2
AMIRA_Live-AMIRA_M20_Headerimage_Full_Rez

Accessories bundles

Accessories Bundle 1

  1. Camera Systems
  2. PCA: Mechanical Accessories
  3. Camera Support Systems
  4. Support Systems for ARRI Cameras
  5. Support Systems for AMIRA
  6. Accessories bundles
  7. Accessories Bundle 1
AMIRA_Live-AMIRA_M20_Headerimage_Full_Rez

Accessories bundles

Accessories Bundle 3

  1. Camera Systems
  2. PCA: Mechanical Accessories
  3. Camera Support Systems
  4. Support Systems for ARRI Cameras
  5. Support Systems for AMIRA
  6. Accessories bundles
  7. Accessories Bundle 3
Representation of the broadcast camera for live production AMIRA Live.

AMIRA Live

  1. Camera Systems
  2. Live Cameras
  3. AMIRA Live
Representation of the Wedge Plate Adapter WPA-1.
Wedge Plate Adapter WPA-1
K2.75006.0

Individual mechanical accessories

Bridge Plate Adapter BPA-3

  1. Camera Systems
  2. PCA: Mechanical Accessories
  3. Camera Support Systems
  4. Support Systems for ARRI Cameras
  5. Support Systems for AMIRA
  6. Individual mechanical accessories
  7. Bridge Plate Adapter BPA-3
AMIRA_Live-AMIRA_M20_Headerimage_Full_Rez

Accessories bundles

Accessories Bundle 3

  1. Camera Systems
  2. PCA: Mechanical Accessories
  3. Camera Support Systems
  4. Support Systems for ARRI Cameras
  5. Support Systems for AMIRA
  6. Accessories bundles
  7. Accessories Bundle 3
Representation of the broadcast camera for live production AMIRA Live.

AMIRA Live

  1. Camera Systems
  2. Live Cameras
  3. AMIRA Live
K2.75006.0
Bridge Plate Adapter BPA-3
Representation of the QRP-1 baseplate. Can be used with the live production camera AMIRA Live.

Quick Release Baseplates

QRP-1-Baseplate

  1. Camera Systems
  2. PCA: Mechanical Accessories
  3. Camera Support Systems
  4. Camera independent accessories
  5. Quick Release Baseplates
  7. QRP-1-Baseplate
Representation of the QRP-1 baseplate. Can be used with the live production camera AMIRA Live.

Individual mechanical accessories

QRP-1-Baseplate

  1. Camera Systems
  2. PCA: Mechanical Accessories
  3. Camera Support Systems
  4. Support Systems for ARRI Cameras
  5. Support Systems for AMIRA
  6. Individual mechanical accessories
  7. QRP-1-Baseplate
KK.0016052

Sets

Pro Broadcast Set For Canon C200 + QRP-1

  1. Camera Systems
  2. PCA: Mechanical Accessories
  3. Camera Support Systems
  4. Canon
  5. Support System for Canon C200
  6. Sets
  7. Pro Broadcast Set For Canon C200 + QRP-1
K0.0010073

Sets

Broadcast Pro Set for Panasonic VariCam

  1. Camera Systems
  2. PCA: Mechanical Accessories
  3. Camera Support Systems
  4. Panasonic
  5. Panasonic VariCam LT
  6. Sets
  7. Broadcast Pro Set for Panasonic VariCam
KI.T200290 ARRI PCA for Sony FS7II-FX9 - Lightweight - PL-Mount 0003

Suggested Kits

LWS E-Mount Kit for Sony FS7II_FX9

  1. Camera Systems
  2. PCA: Mechanical Accessories
  3. Camera Support Systems
  4. Sony
  5. Sony PXW-FS7II & FX9
  6. Suggested Kits
  7. LWS E-Mount Kit for Sony FS7II_FX9
Panasonic-EVA-1---Lightweight---Broadcast---EF-Mount----0009

Suggested Kits

Broadcast EF-Mount Kit for AU-EVA1

  1. Camera Systems
  2. PCA: Mechanical Accessories
  3. Camera Support Systems
  4. Panasonic
  5. Panasonic EVA-1
  6. Suggested Kits
  7. Broadcast EF-Mount Kit for AU-EVA1
KK.0015128

Accessory sets

Broadcast Set for ALEXA Mini V-Mount

  1. Camera Systems
  2. PCA: Mechanical Accessories
  3. Camera Support Systems
  4. Support Systems for ARRI Cameras
  5. Support Systems for ALEXA Mini
  6. Accessory sets
  7. Broadcast Set for ALEXA Mini V-Mount
AMIRA_Live-AMIRA_M20_Headerimage_Full_Rez

Accessories bundles

Accessories Bundle 2

  1. Camera Systems
  2. PCA: Mechanical Accessories
  3. Camera Support Systems
  4. Support Systems for ARRI Cameras
  5. Support Systems for AMIRA
  6. Accessories bundles
  7. Accessories Bundle 2
K0.0007631

Sets

Pro Broadcast Set for C300 MkII + QRP-1

  1. Camera Systems
  2. PCA: Mechanical Accessories
  3. Camera Support Systems
  4. Canon
  5. Support System for Canon C300 MKII
  6. Sets
  7. Pro Broadcast Set for C300 MkII + QRP-1
K0.0013592

Sets

Broadcast Pro Set for Canon C700

  1. Camera Systems
  2. PCA: Mechanical Accessories
  3. Camera Support Systems
  4. Canon
  5. Support System for Canon C700
  6. Sets
  7. Broadcast Pro Set for Canon C700
KK.0015127

Accessory sets

Broadcast Set for ALEXA Mini Gold Mount

  1. Camera Systems
  2. PCA: Mechanical Accessories
  3. Camera Support Systems
  4. Support Systems for ARRI Cameras
  5. Support Systems for ALEXA Mini
  6. Accessory sets
  7. Broadcast Set for ALEXA Mini Gold Mount
KI.T200300 ARRI PCA for Sony FS7II-FX9 - Lightweight - EF-Mount 0012

Suggested Kits

LWS PL- Mount Kit for Sony FS7II/ FX9

  1. Camera Systems
  2. PCA: Mechanical Accessories
  3. Camera Support Systems
  4. Sony
  5. Sony PXW-FS7II & FX9
  6. Suggested Kits
  7. LWS PL- Mount Kit for Sony FS7II/ FX9
K0.0010062

Sets

Broadcast Set for RED DSMC2

  1. Camera Systems
  2. PCA: Mechanical Accessories
  3. Camera Support Systems
  4. RED
  5. Sets
  6. Broadcast Set for RED DSMC2
AMIRA_Live-AMIRA_M20_Headerimage_Full_Rez

Accessories bundles

Accessories Bundle 3

  1. Camera Systems
  2. PCA: Mechanical Accessories
  3. Camera Support Systems
  4. Support Systems for ARRI Cameras
  5. Support Systems for AMIRA
  6. Accessories bundles
  7. Accessories Bundle 3
Representation of the broadcast camera for live production AMIRA Live.

AMIRA Live

  1. Camera Systems
  2. Live Cameras
  3. AMIRA Live
Representation of the QRP-1 baseplate. Can be used with the live production camera AMIRA Live.
QRP-1-Baseplate
K2.0001223

Sets & Individual Parts

Shoulder Belt Adapters

  1. Camera Systems
  2. Camera Components
  3. Legacy
  4. Legacy
  5. Directors Monitor Support
  6. Sets & Individual Parts
  7. Shoulder Belt Adapters
K2.0001223

Sets and Parts

Shoulder Belt Adapters

  1. Camera Systems
  2. PCA: Mechanical Accessories
  3. Camera Support Systems
  4. Camera independent accessories
  5. Mounting Hardware
  6. Sets and Parts
  7. Shoulder Belt Adapters
KI.T000720

Suggested Kits

15mm Studio Support Kit for RED DSCM2

  1. Camera Systems
  2. PCA: Mechanical Accessories
  3. Camera Support Systems
  4. RED
  5. Suggested Kits
  6. 15mm Studio Support Kit for RED DSCM2
KK.0015188

Sets & Individual Parts

DMS-1 Dual Small HD Mount Set

  1. Camera Systems
  2. Camera Components
  3. Legacy
  4. Legacy
  5. Directors Monitor Support
  6. Sets & Individual Parts
  7. DMS-1 Dual Small HD Mount Set
KI.T000960

Suggested Kits

19mm Studio Support Kit for Canon C200

  1. Camera Systems
  2. PCA: Mechanical Accessories
  3. Camera Support Systems
  4. Canon
  5. Support System for Canon C200
  6. Suggested Kits
  7. 19mm Studio Support Kit for Canon C200
KI.T000730

Suggested Kits

19mm Studio Support Kit for RED DSCM2

  1. Camera Systems
  2. PCA: Mechanical Accessories
  3. Camera Support Systems
  4. RED
  5. Suggested Kits
  6. 19mm Studio Support Kit for RED DSCM2
ARRI PCA for Sony VENICE - 19mm Studio - 0011_New2021

Suggested Kits

19mm Studio Support Kit for Sony Venice

  1. Camera Systems
  2. PCA: Mechanical Accessories
  3. Camera Support Systems
  4. Sony
  5. Support Systems for Sony Venice
  6. Suggested Kits
  7. 19mm Studio Support Kit for Sony Venice
KI.T000950 (1)

Suggested Kits

15mm Studio Support Kit for Canon C200

  1. Camera Systems
  2. PCA: Mechanical Accessories
  3. Camera Support Systems
  4. Canon
  5. Support System for Canon C200
  6. Suggested Kits
  7. 15mm Studio Support Kit for Canon C200
KI.T000660

Suggested Kits

19mm Studio Support Kit for Canon C300 / C300 Mk II / C500

  1. Camera Systems
  2. PCA: Mechanical Accessories
  3. Camera Support Systems
  4. Canon
  5. Support System for Canon C300 MKII
  6. Suggested Kits
  7. 19mm Studio Support Kit for Canon C300 / C300 Mk II / C500
KI.T000760

Suggested Kits

LWS Broadcast PL-Mount Kit for RED DSCM2

  1. Camera Systems
  2. PCA: Mechanical Accessories
  3. Camera Support Systems
  4. RED
  5. Suggested Kits
  6. LWS Broadcast PL-Mount Kit for RED DSCM2
KI.T000940

Suggested Kits

LWS Cine PL-Mount Kit for Canon C200

  1. Camera Systems
  2. PCA: Mechanical Accessories
  3. Camera Support Systems
  4. Canon
  5. Support System for Canon C200
  6. Suggested Kits
  7. LWS Cine PL-Mount Kit for Canon C200
KK.0015183

Sets & Individual Parts

DMS-1 Adjustable Mount Set

  1. Camera Systems
  2. Camera Components
  3. Legacy
  4. Legacy
  5. Directors Monitor Support
  6. Sets & Individual Parts
  7. DMS-1 Adjustable Mount Set
KI.T000750

Suggested Kits

LWS Broadcast EF-Mount Kit for RED DSCM2

  1. Camera Systems
  2. PCA: Mechanical Accessories
  3. Camera Support Systems
  4. RED
  5. Suggested Kits
  6. LWS Broadcast EF-Mount Kit for RED DSCM2
KI.T200270 15mm Studio Support Kit for C300 MKIII_C500 MKII_0009_side_brackets

Suggested Kits

15mm Studio Support Kit for Canon C300 MKIII / C500 MKII

  1. Camera Systems
  2. PCA: Mechanical Accessories
  3. Camera Support Systems
  4. Canon
  5. Support System for Canon C300 MKIII/ C500 MKII
  6. Suggested Kits
  7. 15mm Studio Support Kit for Canon C300 MKIII / C500 MKII
KI.T000930

Suggested Kits

LWS Cine EF-Mount Kit for Canon C200

  1. Camera Systems
  2. PCA: Mechanical Accessories
  3. Camera Support Systems
  4. Canon
  5. Support System for Canon C200
  6. Suggested Kits
  7. LWS Cine EF-Mount Kit for Canon C200
KK.0015184

Sets & Individual Parts

DMS-1 Transvideo Mount Set

  1. Camera Systems
  2. Camera Components
  3. Legacy
  4. Legacy
  5. Directors Monitor Support
  6. Sets & Individual Parts
  7. DMS-1 Transvideo Mount Set
KI.T000690

Suggested Kits

LWS Cine EF- Mount Kit for Canon C300 / C300 Mk II / C500

  1. Camera Systems
  2. PCA: Mechanical Accessories
  3. Camera Support Systems
  4. Canon
  5. Support System for Canon C300 MKII
  6. Suggested Kits
  7. LWS Cine EF- Mount Kit for Canon C300 / C300 Mk II / C500
KI.T000920

Suggested Kits

15mm Studio Support Kit for Canon C700

  1. Camera Systems
  2. PCA: Mechanical Accessories
  3. Camera Support Systems
  4. Canon
  5. Support System for Canon C700
  6. Suggested Kits
  7. 15mm Studio Support Kit for Canon C700
KK.0015185

Sets & Individual Parts

DMS-1 Small HD Mount Set

  1. Camera Systems
  2. Camera Components
  3. Legacy
  4. Legacy
  5. Directors Monitor Support
  6. Sets & Individual Parts
  7. DMS-1 Small HD Mount Set
KI.T000810_ARRI-PCA-for-Panasonic-Varicam-LT-Kit---15mm-Studio-_1_0011

Suggested Kits

15mm Studio Support Kit for VariCam LT

  1. Camera Systems
  2. PCA: Mechanical Accessories
  3. Camera Support Systems
  4. Panasonic
  5. Panasonic VariCam LT
  6. Suggested Kits
  7. 15mm Studio Support Kit for VariCam LT
KI.T000670

Suggested Kits

LWS Broadcast EF- Mount Kit for Canon C300 / C300 Mk II / C500

  1. Camera Systems
  2. PCA: Mechanical Accessories
  3. Camera Support Systems
  4. Canon
  5. Support System for Canon C300 MKII
  6. Suggested Kits
  7. LWS Broadcast EF- Mount Kit for Canon C300 / C300 Mk II / C500
KI.T000910

Suggested Kits

19mm Studio Support Kit for Canon C700

  1. Camera Systems
  2. PCA: Mechanical Accessories
  3. Camera Support Systems
  4. Canon
  5. Support System for Canon C700
  6. Suggested Kits
  7. 19mm Studio Support Kit for Canon C700
KI.T000820_ARRI-PCA-for-Panasonic-Varicam-LT-Kit---19mm-Studio-_1_0012

Suggested Kits

19mm Studio Support Kit for VariCam LT

  1. Camera Systems
  2. PCA: Mechanical Accessories
  3. Camera Support Systems
  4. Panasonic
  5. Panasonic VariCam LT
  6. Suggested Kits
  7. 19mm Studio Support Kit for VariCam LT
KI.T200260 LWS Broadcast Kit for C300 MKIII_C500 MKII_0009_data

Suggested Kits

LWS Broadcast Kit for Canon C300 MKIII / C500 MKII

  1. Camera Systems
  2. PCA: Mechanical Accessories
  3. Camera Support Systems
  4. Canon
  5. Support System for Canon C300 MKIII/ C500 MKII
  6. Suggested Kits
  7. LWS Broadcast Kit for Canon C300 MKIII / C500 MKII
KI.T000900

Suggested Kits

Broadcast PL-Mount Kit for Canon C700

  1. Camera Systems
  2. PCA: Mechanical Accessories
  3. Camera Support Systems
  4. Canon
  5. Support System for Canon C700
  6. Suggested Kits
  7. Broadcast PL-Mount Kit for Canon C700
KI.T200280 19mm Studio Support Kit for C300 MKIII_ C500 MKII_0009_side_brackets

Suggested Kits

19mm Studio Support Kit for Canon C300 MKIII / C500 MKII

  1. Camera Systems
  2. PCA: Mechanical Accessories
  3. Camera Support Systems
  4. Canon
  5. Support System for Canon C300 MKIII/ C500 MKII
  6. Suggested Kits
  7. 19mm Studio Support Kit for Canon C300 MKIII / C500 MKII
KK.0015186

Sets & Individual Parts

DMS-1 Dual Adjustable Mount Set

  1. Camera Systems
  2. Camera Components
  3. Legacy
  4. Legacy
  5. Directors Monitor Support
  6. Sets & Individual Parts
  7. DMS-1 Dual Adjustable Mount Set
KI.T000860_ARRI-PCA-for-Panasonic-Varicam-LT---LWS---Broadcast---PL-Mount-_1_0004

Suggested Kits

LWS Broadcast PL-Mount Kit for VariCam LT

  1. Camera Systems
  2. PCA: Mechanical Accessories
  3. Camera Support Systems
  4. Panasonic
  5. Panasonic VariCam LT
  6. Suggested Kits
  7. LWS Broadcast PL-Mount Kit for VariCam LT
KI.T200290 ARRI PCA for Sony FS7II-FX9 - Lightweight - PL-Mount 0003

Suggested Kits

LWS E-Mount Kit for Sony FS7II_FX9

  1. Camera Systems
  2. PCA: Mechanical Accessories
  3. Camera Support Systems
  4. Sony
  5. Sony PXW-FS7II & FX9
  6. Suggested Kits
  7. LWS E-Mount Kit for Sony FS7II_FX9
KI.T001100 (1)

Suggested Kits

LWS Broadcast Kit for Sony Venice

  1. Camera Systems
  2. PCA: Mechanical Accessories
  3. Camera Support Systems
  4. Sony
  5. Support Systems for Sony Venice
  6. Suggested Kits
  7. LWS Broadcast Kit for Sony Venice
KI.T000890

Suggested Kits

Broadcast EF-Mount Kit for Canon C700

  1. Camera Systems
  2. PCA: Mechanical Accessories
  3. Camera Support Systems
  4. Canon
  5. Support System for Canon C700
  6. Suggested Kits
  7. Broadcast EF-Mount Kit for Canon C700
AMIRA_Live-AMIRA_M20_Headerimage_Full_Rez

Accessories bundles

Accessories Bundle 2

  1. Camera Systems
  2. PCA: Mechanical Accessories
  3. Camera Support Systems
  4. Support Systems for ARRI Cameras
  5. Support Systems for AMIRA
  6. Accessories bundles
  7. Accessories Bundle 2
KI.T000850_ARRI-PCA-for-Panasonic-Varicam-LT---LWS---Broadcast---EF-Mount-_1_0003

Suggested Kits

LWS Broadcast EF-Mount Kit for VariCam LT

  1. Camera Systems
  2. PCA: Mechanical Accessories
  3. Camera Support Systems
  4. Panasonic
  5. Panasonic VariCam LT
  6. Suggested Kits
  7. LWS Broadcast EF-Mount Kit for VariCam LT
ARRI PCA for Sony VENICE - 15mm Studio - 0011_new2021

Suggested Kits

15mm Studio Support Kit for Sony Venice

  1. Camera Systems
  2. PCA: Mechanical Accessories
  3. Camera Support Systems
  4. Sony
  5. Support Systems for Sony Venice
  6. Suggested Kits
  7. 15mm Studio Support Kit for Sony Venice
KI.T000650 (1)

Suggested Kits

15mm Studio Support Kit for Canon C300 / C300 Mk II / C500

  1. Camera Systems
  2. PCA: Mechanical Accessories
  3. Camera Support Systems
  4. Canon
  5. Support System for Canon C300 MKII
  6. Suggested Kits
  7. 15mm Studio Support Kit for Canon C300 / C300 Mk II / C500
KK.0015187

Sets & Individual Parts

DMS-1 Dual Transvideo Mount Set

  1. Camera Systems
  2. Camera Components
  3. Legacy
  4. Legacy
  5. Directors Monitor Support
  6. Sets & Individual Parts
  7. DMS-1 Dual Transvideo Mount Set
KI.T200300 ARRI PCA for Sony FS7II-FX9 - Lightweight - EF-Mount 0012

Suggested Kits

LWS PL- Mount Kit for Sony FS7II/ FX9

  1. Camera Systems
  2. PCA: Mechanical Accessories
  3. Camera Support Systems
  4. Sony
  5. Sony PXW-FS7II & FX9
  6. Suggested Kits
  7. LWS PL- Mount Kit for Sony FS7II/ FX9
AMIRA_Live-AMIRA_M20_Headerimage_Full_Rez

Accessories bundles

Accessories Bundle 1

  1. Camera Systems
  2. PCA: Mechanical Accessories
  3. Camera Support Systems
  4. Support Systems for ARRI Cameras
  5. Support Systems for AMIRA
  6. Accessories bundles
  7. Accessories Bundle 1
KI.T000980

Suggested Kits

Broadcast PL- Mount Kit for Canon C200

  1. Camera Systems
  2. PCA: Mechanical Accessories
  3. Camera Support Systems
  4. Canon
  5. Support System for Canon C200
  6. Suggested Kits
  7. Broadcast PL- Mount Kit for Canon C200
KI.T000870

Suggested Kits

LWS EF-Mount Kit for Canon C700

  1. Camera Systems
  2. PCA: Mechanical Accessories
  3. Camera Support Systems
  4. Canon
  5. Support System for Canon C700
  6. Suggested Kits
  7. LWS EF-Mount Kit for Canon C700
KI.T000830_ARRI-PCA-for-Panasonic-Varicam-LT---LWS---Cine---EF-Mount-_1_0003

Suggested Kits

LWS Cine EF-Mount Kit for VariCam LT

  1. Camera Systems
  2. PCA: Mechanical Accessories
  3. Camera Support Systems
  4. Panasonic
  5. Panasonic VariCam LT
  6. Suggested Kits
  7. LWS Cine EF-Mount Kit for VariCam LT
KI.T000970

Suggested Kits

Broadcast EF-Mount Kit for Canon C200

  1. Camera Systems
  2. PCA: Mechanical Accessories
  3. Camera Support Systems
  4. Canon
  5. Support System for Canon C200
  6. Suggested Kits
  7. Broadcast EF-Mount Kit for Canon C200
KI.T000680

Suggested Kits

LWS Broadcast PL-Mount Kit for Canon C300 / C300 Mk II / C500

  1. Camera Systems
  2. PCA: Mechanical Accessories
  3. Camera Support Systems
  4. Canon
  5. Support System for Canon C300 MKII
  6. Suggested Kits
  7. LWS Broadcast PL-Mount Kit for Canon C300 / C300 Mk II / C500
K2.0001223
Shoulder Belt Adapters
K2.75005.0

Individual mechanical accessories

Microphone Holder Bracket MHB-2

  1. Camera Systems
  2. PCA: Mechanical Accessories
  3. Camera Support Systems
  4. Support Systems for ARRI Cameras
  5. Support Systems for AMIRA
  6. Individual mechanical accessories
  7. Microphone Holder Bracket MHB-2
K2.75005.0

Sets and Parts

Microphone Holder Bracket MHB-2

  1. Camera Systems
  2. PCA: Mechanical Accessories
  3. Camera Support Systems
  4. Camera independent accessories
  5. Mounting Hardware
  6. Sets and Parts
  7. Microphone Holder Bracket MHB-2
AMIRA_Live-AMIRA_M20_Headerimage_Full_Rez

Accessories bundles

Accessories Bundle 2

  1. Camera Systems
  2. PCA: Mechanical Accessories
  3. Camera Support Systems
  4. Support Systems for ARRI Cameras
  5. Support Systems for AMIRA
  6. Accessories bundles
  7. Accessories Bundle 2
AMIRA_Live-AMIRA_M20_Headerimage_Full_Rez

Accessories bundles

Accessories Bundle 1

  1. Camera Systems
  2. PCA: Mechanical Accessories
  3. Camera Support Systems
  4. Support Systems for ARRI Cameras
  5. Support Systems for AMIRA
  6. Accessories bundles
  7. Accessories Bundle 1
AMIRA_Live-AMIRA_M20_Headerimage_Full_Rez

Accessories bundles

Accessories Bundle 3

  1. Camera Systems
  2. PCA: Mechanical Accessories
  3. Camera Support Systems
  4. Support Systems for ARRI Cameras
  5. Support Systems for AMIRA
  6. Accessories bundles
  7. Accessories Bundle 3
Representation of the broadcast camera for live production AMIRA Live.

AMIRA Live

  1. Camera Systems
  2. Live Cameras
  3. AMIRA Live
K2.75005.0
Microphone Holder Bracket MHB-2
Representation of the San Disk Extreme Pro CFast 2 128 GB. Can be used with the live production camera AMIRA Live.

Recording media

SanDisk Extreme Pro CFast2.0 card 128GB

  1. Camera Systems
  2. PCA: Mechanical Accessories
  3. Camera Support Systems
  4. Support Systems for ARRI Cameras
  5. Support Systems for AMIRA
  6. Recording media
  7. SanDisk Extreme Pro CFast2.0 card 128GB
Representation of the San Disk Extreme Pro CFast 2 128 GB. Can be used with the live production camera AMIRA Live.

CFast 2.0 Recording Media

SanDisk Extreme Pro CFast2.0 card 128GB

  1. Camera Systems
  2. Camera Components
  3. Recording Media
  4. CFast 2.0 cards
  5. CFast 2.0 Recording Media
  6. SanDisk Extreme Pro CFast2.0 card 128GB
K0.0019005

Recording media

SanDisk Extreme Pro CFast2.0 card set 3x128GB

  1. Camera Systems
  2. PCA: Mechanical Accessories
  3. Camera Support Systems
  4. Support Systems for ARRI Cameras
  5. Support Systems for AMIRA
  6. Recording media
  7. SanDisk Extreme Pro CFast2.0 card set 3x128GB
K0.0019005

CFast 2.0 Recording Media

SanDisk Extreme Pro CFast2.0 card set 3x128GB

  1. Camera Systems
  2. Camera Components
  3. Recording Media
  4. CFast 2.0 cards
  5. CFast 2.0 Recording Media
  6. SanDisk Extreme Pro CFast2.0 card set 3x128GB
Representation of the broadcast camera for live production AMIRA Live.

AMIRA Live

  1. Camera Systems
  2. Live Cameras
  3. AMIRA Live
Representation of the San Disk Extreme Pro CFast 2 128 GB. Can be used with the live production camera AMIRA Live.
SanDisk Extreme Pro CFast2.0 card 128GB
Representation of the San Disk Extreme Pro CFast 2 256 GB. Can be used with the live production camera AMIRA Live.

Recording media

SanDisk Extreme Pro CFast2.0 card 256GB

  1. Camera Systems
  2. PCA: Mechanical Accessories
  3. Camera Support Systems
  4. Support Systems for ARRI Cameras
  5. Support Systems for AMIRA
  6. Recording media
  7. SanDisk Extreme Pro CFast2.0 card 256GB
Representation of the San Disk Extreme Pro CFast 2 256 GB. Can be used with the live production camera AMIRA Live.

CFast 2.0 Recording Media

SanDisk Extreme Pro CFast2.0 card 256GB

  1. Camera Systems
  2. Camera Components
  3. Recording Media
  4. CFast 2.0 cards
  5. CFast 2.0 Recording Media
  6. SanDisk Extreme Pro CFast2.0 card 256GB
AMIRA_Live-AMIRA_M20_Headerimage_Full_Rez

Accessories bundles

Accessories Bundle 1

  1. Camera Systems
  2. PCA: Mechanical Accessories
  3. Camera Support Systems
  4. Support Systems for ARRI Cameras
  5. Support Systems for AMIRA
  6. Accessories bundles
  7. Accessories Bundle 1
K0.0019006

Recording media

SanDisk Extreme Pro CFast2.0 card set 3x256GB

  1. Camera Systems
  2. PCA: Mechanical Accessories
  3. Camera Support Systems
  4. Support Systems for ARRI Cameras
  5. Support Systems for AMIRA
  6. Recording media
  7. SanDisk Extreme Pro CFast2.0 card set 3x256GB
K0.0019006

CFast 2.0 Recording Media

SanDisk Extreme Pro CFast2.0 card set 3x256GB

  1. Camera Systems
  2. Camera Components
  3. Recording Media
  4. CFast 2.0 cards
  5. CFast 2.0 Recording Media
  6. SanDisk Extreme Pro CFast2.0 card set 3x256GB
Representation of the broadcast camera for live production AMIRA Live.

AMIRA Live

  1. Camera Systems
  2. Live Cameras
  3. AMIRA Live
Representation of the San Disk Extreme Pro CFast 2 256 GB. Can be used with the live production camera AMIRA Live.
SanDisk Extreme Pro CFast2.0 card 256GB
Representation of the San Disk Extreme Pro CFast 2 512 GB. Can be used with the live production camera AMIRA Live.

Recording media

SanDisk Extreme Pro CFast2.0 card 512GB

  1. Camera Systems
  2. PCA: Mechanical Accessories
  3. Camera Support Systems
  4. Support Systems for ARRI Cameras
  5. Support Systems for AMIRA
  6. Recording media
  7. SanDisk Extreme Pro CFast2.0 card 512GB
Representation of the San Disk Extreme Pro CFast 2 512 GB. Can be used with the live production camera AMIRA Live.

CFast 2.0 Recording Media

SanDisk Extreme Pro CFast2.0 card 512GB

  1. Camera Systems
  2. Camera Components
  3. Recording Media
  4. CFast 2.0 cards
  5. CFast 2.0 Recording Media
  6. SanDisk Extreme Pro CFast2.0 card 512GB
AMIRA_Live-AMIRA_M20_Headerimage_Full_Rez

Accessories bundles

Accessories Bundle 2

  1. Camera Systems
  2. PCA: Mechanical Accessories
  3. Camera Support Systems
  4. Support Systems for ARRI Cameras
  5. Support Systems for AMIRA
  6. Accessories bundles
  7. Accessories Bundle 2

Recommended

Cine Pro Set for AMIRA

  1. Camera Systems
  2. Recommended
  3. Cine Pro Set for AMIRA
K0.0019007

Recording media

SanDisk Extreme Pro CFast2.0 card set 3x512GB

  1. Camera Systems
  2. PCA: Mechanical Accessories
  3. Camera Support Systems
  4. Support Systems for ARRI Cameras
  5. Support Systems for AMIRA
  6. Recording media
  7. SanDisk Extreme Pro CFast2.0 card set 3x512GB
K0.0019007

CFast 2.0 Recording Media

SanDisk Extreme Pro CFast2.0 card set 3x512GB

  1. Camera Systems
  2. Camera Components
  3. Recording Media
  4. CFast 2.0 cards
  5. CFast 2.0 Recording Media
  6. SanDisk Extreme Pro CFast2.0 card set 3x512GB
AMIRA_Live-AMIRA_M20_Headerimage_Full_Rez

Accessories bundles

Accessories Bundle 3

  1. Camera Systems
  2. PCA: Mechanical Accessories
  3. Camera Support Systems
  4. Support Systems for ARRI Cameras
  5. Support Systems for AMIRA
  6. Accessories bundles
  7. Accessories Bundle 3
Representation of the broadcast camera for live production AMIRA Live.

AMIRA Live

  1. Camera Systems
  2. Live Cameras
  3. AMIRA Live
Representation of the San Disk Extreme Pro CFast 2 512 GB. Can be used with the live production camera AMIRA Live.
SanDisk Extreme Pro CFast2.0 card 512GB

Tech Talks

ARRI Tech Talk celebrating the 10th anniversary of the low-budget movie camera amira.
Jun. 17, 2020

ARRI TECH TALK Live: 10th Anniversary of ALEXA

The first ARRI ALEXA was shipped in June 2010. This June, ALEXA is 10 years young! Please join us in celebrating with an ARRI TECH TALK Live! Product Manager Marc Shipman-Mueller walks down memory lane and shares how it all began, including some interesting insights into the ARRI development process. He also shows memorable productions, products and events that have accompanied us on our way.

200909_Keyvisual_02_AMIRA_Multicam_WEB_XL
Oct. 14, 2020

ARRI TECH TALK Live: Creative broadcasting with ARRI Multicam System

Join ARRI broadcasting expert Thomas Stoschek and industry guest Tilo Krause in this webinar about the creative opportunities and advantages of the ARRI Multicam System. See how the system was set up in an extraordinary location for a classical concert and learn about its special features.

Technical Data
Model
AMIRA
Sensor Type
Super 35 format ARRI ALEV III CMOS sensor with Bayer pattern color filter array
Sensor Maximum Number of Photosites and Size
3200 x 1800
26.40 x 14.85 mm / 1.039 x 0.585"
⌀ 30.29 mm / 1.193"
Sensor Frame Rates
0.75 - 200 fps
Weight
∼4.1 kg / ∼9.2 lbs
(camera body with PL lens mount)
Photosite Pitch
8.25 μm
Sensor Active Image Area (photosites)
S16 HD: 1600 x 900
HD: 2880 x 1620
2K: 2868 x 1612
3.2K: 3200 x 1800
4K UHD: 3200 x 1800
ARRIRAW 16:9 2.8K: 2880 x 1620
Sensor Active Image Area (dimensions)
S16 HD: 13.20 x 7.43 mm / 0.520 x 0.292"
HD: 23.76 x 13.37 mm / 0.935 x 0.526"
2K: 23.66 x 13.30 mm / 0.932 x 0.524"
3.2K: 26.40 x 14.85 mm / 1.039 x 0.585"
4K UHD: 26.40 x 14.85 mm / 1.039 x 0.585"
ARRIRAW 16:9 2.8K: 23.76 x 13.37 mm / 0.935 x 0.526"
Recording File Container Size (pixel)
S16 HD: 1920 x 1080
HD: 1920 x 1080
2K: 2048 x 1152
3.2K: 3200 x 1800
4K UHD: 3840 x 2160
ARRIRAW 16:9 2.8K: 2880 x 1620
Recording File Image Content (pixel)
ProRes S16 HD: 1920 x 1080
ProRes HD: 1920 x 1080
ProRes 2K: 2048 x 1152
ProRes 3.2K: 3200 x 1800
ProRes 4K UHD: 3840 x 2160
ARRIRAW 16:9 2.8K: 2880 x 1620
Dynamic Range
14+ stops over the entire sensitivity range from EI 160 to EI 3200 as measured with the ARRI Dynamic Range Test Chart (DRTC-1)
Exposure Index
Adjustable from EI 160-3200 in 1/3 stops
EI 800 base sensitivity
Shutter
Electronic shutter, 5.0°- 356° or 1s - 1/8000s
Recording Formats
MXF/ARRIRAW
Apple ProRes 4444 XQ
Apple ProRes 4444
Apple ProRes 422 HQ
Apple ProRes 422
Apple ProRes 422 LT
MPEG-2 HD
Recording Media
CFast 2.0 Cards
Recording Frame Rates
ProRes HD: 0.75 - 200 fps
ProRes S16 HD: 0.75 - 200 fps
ProRes 2K: 0.75 - 200 fps
ProRes 3.2K: 0.75 - 60 fps
ProRes UHD: 0.75 - 60 fps
MFX/ARRIRAW 16:9 2.8K: 0.75 - 48 fps
MPEG-2 HD: 23.976 - 59.94 fps
Recording Modes
Standard real-time recording
Pre-recording
Intervalometer
Stop Motion
Viewfinder Type
Multi Viewfinder MVF-1 with 3,2" flip-out monitor
Camera Control Panel (CCP-1) with option to daisy-chain MVF-1
Viewfinder Technology
OLED viewfinder display
LCD flip-out monitor
Viewfinder Resolution (pixel)
1280 x 720
Viewfinder Diopter
Adjustable from -5 to +5 diopters
Color Output
Rec 709
Rec 2020
Log C
Custom Look (ARRI Look File ALF-2)
Look Control
Import of custom 3D LUT
ASC CDL parameters (slope, offset, power, saturation)
Knee, gamma, saturation, black gamma, saturation by hue
Support of ARRI Look Library
White Balance
Manual and auto white balance, adjustable from 2000K to 11000K in 10K steps
Color correction adjustable range from -16 to +16 CC
1 CC corresponds to 035 Kodak CC values or 1/8 Rosco values
Filters
Built-in motorized ND filters 0.6, 1.2, 2.1
Fixed optical low pass, UV, IR filter
Image Outputs
1x proprietary signal output for MVF-1 viewfinder
2x SDI Out: 1,5G (SMPTE ST292-1), 3G (SMPTE ST425-1, ST425-3), 6G & DL 6G (SMPTE ST2081-10, ST2081-11)
uncompressed video with embedded audio and metadata
Lens Squeeze Factors
1.00, 1.30
Exposure and Focus Tools
False Color
Zebra
Zoom
Waveform
Aperture and Color Peaking
Audio Input
2x XLR 3pin Mic/Line Input with 48V Phantom Power, switchable to AES3
1x XLR 5pin Mic/Line Input with 48V Phantom Power
(Line input max. level +24dBu correlating to 0dBFS)
Bluetooth whisper track
Audio Output
3,5mm stereo headphone jack
Bluetooth audio
SDI (embedded)
Audio Recording
4 channel linear PCM, 24 bit 48 kHz
1 channel Bluetooth whisper track
Remote Control Options
Web-based remote control from phones, tablets and laptops via WiFi & Ethernet
Camera Access Protocol via Ethernet & WiFi
GPIO interface for integration with custom control interfaces
Interfaces
1x BNC LTC Timecode In/Out
1x BNC SDI Ret/Sync In (opt. separate analog Genlock In)
1x LEMO 6pin EXT multi purpose accessory interface
1x Hirose 12pin (on PL lens mount)
1x RJ45 Ethernet for remote control and service
2x USB 2.0 (for user setups, look files etc)
Wireless Interfaces
Built-in WiFi module (IEEE 802.11b/g)
Built-in Bluetooth module
Lens Mounts
PL lens mount with Hirose connector and LDS
EF lens mount
B4 lens mount with Hirose connector
LPL lens mount with LBUS connector
Leitz Cine Wetzlar M lens mount
Flange Focal Depth
PL mount: 52 mm
LPL mount: 44 mm
Power Input
1x LEMO 8pin (10.5-34 V DC)
1x On-board battery interface (10.5-24 V DC)
Power Consumption
min. 52 W
max. 84 W
(Camera body with MVF-1)
Power Outputs
1x Fischer 3pin 24V RS
1x LEMO 2pin 12V
1x Hirose 4pin 12V
1x LEMO 6pin EXT 24V
Measurements (HxWxL)
149 x 139 x 309 mm / 5.8 x 5.4 x 12.1"
(camera body with PL lens mount)
Operating Temperature
-20° C to +50° C / -4° F to +122° F @ 95% relative humidity max, non condensing, splash and dust proof through sealed electronics
Storage Temperature
-30° C to +70° C / -22° F to +158° F
Sound Level
< 20 dB(A) at 24fps
Software Licenses
AMIRA Advanced License Key
AMIRA Premium License Key
AMIRA 4K UHD License Key
AMIRA ARRIRAW License Key
ARRI Look Library License Key
Show more

Master Grip Support


The Master Grips provide a comfortable way of controlling EF, ENG and cine style lenses while holding the camera stable on the shoulder. Camera control functionality includes REC and user button access. The ability to adjust focus and iris of EF mount lenses using Master Grips allows for an interesting package solution for documentary and handheld operators, who prefer smaller EF lenses due to their weight and cost.

Shooting with the amira multicam in combination with the amira master grips.
Low price arri camera amira rugged and reliable on set.
Low price ARRI camera amira in aktion.
Copyright © Yves Krier
All-purpose camera AMIRA multicam in action.
Amira multicam performs under tough conditions.
Copyright © Richard Ladkani
All-purpose camera amira in action.
Copyright © Ruptly.TV
All-purpose camera AMIRA on set.
Copyright © VPS Media
All-purpose camera amira shooting sport racing under challenging conditions.
Low budget movie camera amira shoulder operation in a car.
Copyright © Yves Krier

FAQ

  • A sensor mode defines an aspect ratio, which defines the area on the sensor that is being captured. A recording format define what is being recorded in-camera in the file. So while a sensor mode defines a certain number of photosites on the sensor, those may be recorded straight or up or down-sampled to create the pixels of the recording format. A distribution format defines how the final product is delivered to the consumer. The contents in the recording format is often up or down-sampled, cropped, repositioned or rotated in post before it becomes the final distribution format.

    An example: Choosing a 16:9 sensor mode on the camera allows the further choice of various recording formats. Choosing the 4K UHD recording format means that a 16:9 area from the sensor is read out, up-sampled in camera to a 4K UHD image and then recorded. In this case the recording format of 4K UHD is the same as the distribution format of 4K UHD. 

  • Yes, all AMIRA models can be upgraded with the 4K UHD license. This requires a 4K UHD calibrated camera.

  • The following are the default looks of the camera:

    • ARRI 709 - renders the video image according to the ITU.R-BT709 standard
    • ALEXA Classic 709 - matches the color reproduction to the ARRI ALEXA
    • ARRI 2100 HLG 1K 200 - renders an image for a HLG (Hybrid Log Gamma, ITU-R BT.2100) monitor
    • ARRI 2100 PQ 1K 200 - renders an image for a PQ (SMPTE 2084, ITU-R BT.2100) monitor
    • ARRI 709 Multicam - editable version of ARRI 709 for use with the multicam feature
    • Commercial - renders the image brighter for smoother skin tones
    • Landscape - applies a steeper contrast curve to the image
    • LCC 709 - Low Contrast Curve look that keeps more details in highlights for color correction purposes
    • TV neutral - an ARRI 709 like look, which is more saturated in colors with slightly lower blacks
    • TV warm - same as TV neutral, just with a little bit warmer look overall
    • Vibrant - boosts color saturation except for red and yellow (skint one protection)
    • ARRI Look Library - collection of 87 looks

    ​

  • Looks can be created with the ARRI Color Tool. This tool is available for free on our website.

  • ProRes 3.2K is a recording format that is quickly gaining popularity. It is being used on major TV series like Game of Thrones, on many Amazon projects and on various feature films. The reason is that it has a lower data rate than ProRes 4K UHD (in fact about 33% less data) and thus is less expensive to record on set and to process in post. It can then be used for an HD or 2K deliverable (with extra image area for re-sizing, rotating, re-framing or stabilizing) or, with only a slight up-sample, for a 4K UHD deliverable. 

More questions...

Downloads

Product Highlights and Solutions, April 2024 | Brochure
Apr. 12, 2024
pdf | 13.3 MB
AMIRA Brochure
Nov. 25, 2018
pdf | 6.8 MB
ARRI Multicam System Brochure
Apr. 29, 2021
pdf | 8.2 MB
AMIRA - Quickguide
Oct. 17, 2019
pdf | 6 MB
AMIRA SUP 5.4 - User Manual
Dec. 4, 2018
pdf | 15 MB
AMIRA SUP 5.4 - Release Notes
Oct. 17, 2019
pdf | 2 MB
AMIRA Menu SettingsChart SUP 5.3/SUP 5.4
Oct. 17, 2019
pdf | 270 KB
AMIRA Configuration Diagram
Mar. 22, 2021
pdf | 588 KB
AMIRA Multicam White Paper
Mar. 6, 2019
pdf | 1.4 MB
Supported Recording Media Overview
Jun. 7, 2022
pdf | 587 KB
Synchronization of ARRI Cameras with 3rd Party Devices

Technical Information

Oct. 30, 2024
pdf | 468 KB
Camera Access Protocol (CAP) Feature List Version 1.11

valid for ALEXA SXT/LF/65, AMIRA, ALEXA Mini & Mini LF, ALEXA 35

Sep. 1, 2023
pdf | 208 KB
ARRI Sample Footage

Technical information

Oct. 30, 2024
pdf | 534 KB
AMIRA Audio Block Diagram
Nov. 25, 2018
pdf | 721 KB
AMIRA Dimensions
Mar. 2, 2021
pdf | 715 KB
End of Film Credit - AMIRA Logo
Oct. 17, 2019
zip | 1 MB

Regulatory Documents


Certificates

Configuration Overviews


Configuration Overviews_Header

Software Updates


2023 09-06 CS_M02_camera_sup

Workflow Knowledge


Illustration of the Camera Systems Workflow Learn and Help Area.

ARRI Academy


keyvisual_mockup1

Register your camera

Lateral view of the all-purpose camera AMIRA multicam.

ARRI License Shop

Service teaser ARRI License Shop